The Verb-First Match Method · 9 Rules
What this chapter tests: three sub-types of the same skill — main purpose of a short passage, function of an underlined sentence, and the passage's overall structure. Every correct answer starts with the right author's verb, then matches the right object.
The stem says "as a whole" — so the whole passage counts, not just one sentence. Skim end-to-end before peeking at choices. A single line can mislead you about the author's overall move.
Name what the author is doing in one word: describe / explain / present / introduce / illustrate / argue / convey. Pick the verb BEFORE reading choices so a slick wrong verb can't anchor you.
Eliminate any choice whose first verb doesn't match the author's move. Of the survivors, check the object (what's being described/argued/explained) for Outside Info or Half-Right slippage.
sat.ivypath.ioPage 1 of 2Specialized Rules · 2 question variants + 4 trap families
violates Rule N.
Look up that rule below to see the pattern and the example. Foundation Rules 1–3 are on Page 1.
Match the passage to a standard pattern: general→specific (most common), problem/solution, cause/effect, compare/contrast, chronological. Watch the sequence — a reversed order is a classic trap.
Opens with broad claim → narrows to one study → general → specific
Map what comes before and after the underline. The underlined sentence usually defines, gives an example, presents a claim, or emphasizes something already stated.
Sentence right after a definition that says "for instance…" → gives an example
Choice adds a claim not in the text. Sub-traps: Invented Comparison (says X vs Y when only X is mentioned) and Motive Fabrication (assigns a reason the author never gave).
Text describes one painter → trap: "contrasts two painters' techniques"
Right verb, wrong object — or right object, wrong verb. Sub-trap: Subject Swap (correct action attached to the wrong noun in the passage).
Author describes a method → trap: "describes the researcher's career"
Choice opens with a verb the passage never earns: "argues" when the text only describes, "contrasts" when nothing was compared, "refutes" when no opposing view appeared.
Neutral description of a finding → trap: "argues that the finding is significant"
Combines the long-tail patterns: Reversed Order (right pieces, wrong sequence), Extreme Tone (always/proves/disproves), Plausible Unsupported, and Also True (true elsewhere in the passage but not the main move).
Passage starts narrow then broadens → trap: "general → specific" (reversed)
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